New Layout!

Hey, I see you've noticed the new layout for my blog. I think it looks pretty spiffy if I do say so myself!

Also, check out this review of my work at BWAC's Lineage show on this blog THE ARTPOINT. It also reviews Scott's work.

Here's a poster I designed for my Bond party back in August, it was hand drawn and cleaned up and colored in photoshop. If anyone wants a print of it let me know, I have a few 11x 17ish prints and I'll let them go at the low low price of $7 each. I also have a version without the party info on it.

BWAC's "Lineage" Opening

Thanks to all who came out to the Lineage opening this afternoon! It was a lot of fun. For those who didn't make it today, the show will be up until October 31st but only on Saturdays and Sundays. Here are some images from the show.

me in front of my work

Scott and I in front of his work

Scott and I in front of my work

me in front of my work

Quick note about Lineage

Hey all, sorry for the long absence. I totally flaked out and missed the "Red Hooked" show, mostly because it was too expensive to print the photographs and I didn't have time to comparison shop. However, I am definitely doing the "Lineage" show at BWAC along with my friend Scott, whose blog http://scotty106.blogspot.com/ looks eerily similar to mine.

For "Lineage" I'm exhibiting my Preservation of Heritage series, and am now rooting through some of my mother's family photos. Here are some gems I found, ones that I might use in future work.

Tank

"Russell paid us a surprise visit"


Yes, that's a flamethrower.

"Judy watching T.V."

Yes, that's my Pop Pop smoking a cigarette and shaking hands with Darth Vader

New Work! Continuing on the Labors

I'm finally finished with The Labors of Hercules Series! YAY!!! Now here comes the important part YOU ALL have to come join me for the "Nailed" opening at BWAC this Saturday (May 8th) at 1pm. 499 Van Brunt Street (right near Fairway by the Water Taxi in Redhook Bklyn)

You'll get to see the Labors Series, some black and white photographs as well as some other works on wood that were hand picked by the BWAC curators. I was initially only supposed to get one panel but they liked my work so much they asked me to bring in a variety of other work and now I definitely have 3 panels and possibly one more.

I'm really excited, and I worked my butt of the past couple of weeks preparing for it, so without delay here's a preview of the new works that'll be up in BWAC's "Nailed" show:

This is titled "The Return of Persephone: The Advent of Spring" This is not a Labor of Hercules but is in the same vein as the Labors series as well as the "Fall of Icarus," being that this too is a Greco-Roman myth. Oil an Shellac on Wood, 4x4.

"The Girdle of Hippolyta" The ninth Labor. Gesso and Oil on Wood, 4x6.

"The Nemean Lion II" The first Labor. Oil and Shellac on Wood, 8x10.

"The Cattle of Geryon" The tenth Labor. Oil and Shellac on Panel, 5x5

The whole wall, 2nd floor on the right hand side.

Finishing up the Labors Series for BWAC

I have off work tomorrow, and I’ve promised myself to work on a couple of things. As some may know, my dad and I are in the process of building an art studio space in the basement (where the darkroom used to be) so I can finally have a place to work. It’s almost done, I still need to transfer a lot of stuff from my room and give the new space a quick clean but I’m going to try to accomplish this in the morning.

There is another reason I’m anxious to start working again. I’ve joined BWAC (finally) and am going to be featured in their show in May. I’ve decided I’d like to display my Hercules series, which as of yet is still incomplete. So I have to get my arse in gear to finish off the series. I have an idea or two for the remaining 2 paintings. I’d also like to make a Nemian Lion II because I am no longer in possession of the first one. So that brings up the total to 3 paintings I have to finish before the second week of May. I think I can do it; I tend to work better under a deadline anyway.

I also plan on making a book for a special lady I know who gave me an awesome gift the other day. I think it’s going to be classic cinema themed basic sketchbook/notebook. The cool idea I had was that it would have random interwoven images of such classy folks as Lauren Bacall, Bela Lugosi and Gregory Peck. I’m not exactly sure how I’ll go about making this, but I’ll figure it out. Is it too much to put in a few Cinema quotes as well? Is that lame and dorky?

So looks like I’ll be a busy lady. My family’s also plans on taking a vacation in Barcelona for two weeks in the middle/end of May. I’m super psyched about that. I’m second guessing purchasing a scanner and might opt for giving my self a camera for my birthday. I can’t do much with a new scanner in Barcelona and all my film cameras are either busted or too archaic to use for tourist-ing. So hopefully I’ll have lots of new work to show everyone in the next month or so, painting, photo and book stuff!

Here are some random images, figure drawings and sketches from MICA years past and of course my Lauren Bacall woodblock print from LaG.

The Preservation

Hellooo, sorry about the long lapse between posts but this time I actually have been fairly busy. Recently I've been working at the video store around the corner, doing this freelance animation thing which I'm super glad is over because I've never done animation before and I felt incredibly out of my depth, and I started working for Aurora Robson again (the artist I interned for last summer.) So yeah, I've been a busy bee.

This post will be highlighting my final for my book class, it's titled "The Preservation" and I really tried to combine elements from the Family Series of my Thesis with what I learned in book class. It's a Coptic bound book and I used a variety of methods and materials to get it to look and feel right. In this book I was really interested in texture both physically and aesthetically, some of the pages have collaged or layered elements to them next to flat printed images. I wasn't as concerned with the placement of images on the page, I wanted it to seem somewhat random.

The printed images often look 3D, as I xeroxed leaves, flowers, photographs and other objects directly onto the page. I also played a lot with my printer, printing on top of already printed things, feeding different types of paper and making photograms with the xerox machine in it, sometimes altering the size and scale of what I was xeroxing. Another element that tied it very strongly to my Thesis is that I actually took digital photographs of quite a few of my little Family collages, these photographs were often purposely blurry, and extremely close up, to only see part of the collage, I used these images as pages in the book.

The book deals with memory, family and personal history. It also simultaneously explores the history of photography and image making. One part I particularly like is that I took and old family photo, scanned it, played around in photoshop and inverted the black and white, I then printed it out on regular computer paper and oiled it to make it transparent. I took that "negative" and made a Cyanotype with it. I then took a digital picture of that Cyanotype and printed it out on a piece of paper to use as a page in this book. It's the process that I'm very interested in, of course I want the end product to look interesting but in the process I've used one of the oldest forms of image making in conjunction with some of the newest forms of image making. I also find it interesting that Bookmaking itself, along with Printmaking, have such a rich and old history, that many do not even think about day to day.

I do realize that in using actual flowers and putting the oiled images in the book, it will eventually look, smell and feel different over time, things will get browned and washed out but in I actually really like it. It's called The Preservation because I feel like I'm preserving the past, preserving history and like photography itself preserving moments in time. I had a ton of fun assembling this book and I feel that it is really what I was trying to get at with my Thesis, a sort of conclusion that sums everything up succinctly.

The Labors of Hercules

These images are from my series “The Labors of Hercules” which was also a part of my Senior Thesis. This series basically took similar ideas from the “Family/preservation of Heritage series” (tradition, cultural values, etc.) and made them more focused on cultural identity as opposed to personal identity. The pieces depict the individual labors in a very simple way, the slaying of the creatures or the action of the labor is not shown directly but I wanted the observer to understand as much of the myth as possible without the paintings being overly explicit or literal. The order of the images is actually backwards because the Lion is supposed to be first and Cerberus is last.

Cerberus- Spray paint and acrylic on panel.
The Cretan Bull- Gesso and pencil on wood.
The Stymphalian Birds- Oil, tin foil and shellac on wood.
The Golden Hind- Spray paint, pencil, acrylic and shellac on wood.
The Nemean Lion- Oil and shellac on wood.

On a different note, I'm trying to figure out why my default language/type on this blog is Hindi...
व्त्फ़? = WTF?

Some Older Work (First of the Family Series)

These pieces were done during the Spring of my sophomore year at MICA. This idea of the Family / Preservation of Heritage Series was germinated in my Collage & Assemblage class for the assignment of "Ageing and Distressing" in which we had to take new materials and make them look old or worn.

Work

More Work

Here is some more work my Senior Thesis, (from September '08 through right before I graduated.) These pieces are from a body of work titled "The Preservation of Heritage," I'll give you the abbreviated artist's statement:

These pieces reflect my interest in Family and Heritage themes. I have been using old family photos and photographs that I’ve taken myself that I feel represent some aspect of my family life or my experiences growing up and using them in small pieces usually on wood, canvas or panel. I use my family’s snapshots because I find interest in forgotten people and events; this holds an element of mystery for me. I feel like I am reclaiming part of my heritage by re-appropriating these images in my art. I use a myriad of materials, spray paint, oil paint sand, shellac, matte medium, acrylic and whatever else I can find.

I really enjoyed working on this series and will probably continue using more stuff found in the basement. I've also been meaning to root through some of my mother's old photographs since most of photographs I've used so far have been from my dad's side.

I'm going to try to get some decent images of some of the photo work I've done this year as well as images of the books I've made. Hopefully they'll be up for your viewing pleasure before long.